Photo URL: http://picasaweb.google.com/eekauppi/Cortona
Yesterday, after weeks of failed attempts, I finally made it to Cortona. One of the other volunteers (Susanne from Germany) came along, and we braved the cold, driving rain, and a 7am bus/train combo to get to the Camucia station. With the next bus to Cortona two hours away, we decided to walk the 5k up the hill and take advantage of the break in the clouds. Naturally, the rain resumed halfway through the hike, and we raced up the hill on my slippery “shortcut” of Italian alleyways and deserted two-track roads.
Thankfully, Susanne has a well-developed sense of humor.
Cortona is the perfect little Italian town perched on the top of a hill just south of Arezzo. Because of the hilltop location, all of the streets are angled and steep, with exciting staircases built into tunnels and endless hidden passages. Unlike the modern houses that litter (literally, they’re gross) the valley below, the buildings in Cortona are all beautiful ancient stone creations built in an eclectic mix of architectural styles. Unavoidable, I suppose, in a town that’s around 3000 years old. Stone seems to me to hold more history than any other material, and Cortona radiates with the feeling of past occupants. And I love that an Italian teenager with skinny jeans and enormous sunglasses could be sitting in the very same spot where, 3000 years ago, an Etruscan dried pottery. Or, you know, whatever Etruscans did.
As you may know, author Frances Mayes bought and renovated a villa outside of Cortona and wrote “Under the Tuscan Sun” about the experience–which, of course, was turned into a movie. I am only slightly embarrassed to admit that I liked the movie more than the book, and was hoping to recognize a place or two from the film. We climbed to the top of the hill, chatting along the way in broken Italian with an old woman on her way to the market, and wandered around the rather uninspiring church at the top. The weather kept all but the hardiest tourists away, and we had the place to ourselves. On the way down, we found the Piazza della Repubblica, which was immediately recognizable as the location for several scenes in the movie. A few photos satisfied my interest in movie locations and we went back to exploring–the rain deterred us from walking out to the real Bramasole, Mayes’ house.
Cortona is a ridiculously pleasant place to be–even in the rain, and even for Italy, which is filled with pleasant places. It’s like something out of an idealistic movie. Women call to each other through open doors and windows across the narrow cobblestone streets, the mailman makes cheerful conversation with everyone on his route, and shopkeepers display their fruit and flowers outside of the stores. The town seems to be populated with an odd mix of delightfully stereotypical Italian old men, British business owners, and the aforementioned hardy tourists, who, oddly enough, all seemed to be American. Nice, respectful, Americans. No fanny packs or white Nikes in sight!
If it had been sunny, I’d have been tempted to stay forever. As it was, though, the rain and cold drove us away after an amazing lunch at a tiny trattoria, but the next time I’m in Italy, Cortona will be one of my first stops. And some day, perhaps Frances Mayes and I will be neighbors.